I don’t normally give modules names as I think it’s kind of confusing, but while working on this module, a fitting name popped into my head and there it stuck. And from that moment on this module shall be called ‘the leech’.

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This one has been in my own rack for a long time already. At the time I hadn’t taken the habit of writing my schematics down consistently. But last week the power got plugged in backwards, which, obviously fried a bunch of stuff. Since I was already taking it apart for repair, it seemed like the ideal occasion to note down the schematics.

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According to wikipedia, A Phaser is a “an electronic sound processor used to filter a signal by creating a series of peaks and troughs in the frequency spectrum. The position of the peaks and troughs of the waveform being affected is typically modulated so that they vary over time, creating a sweeping effect. For this purpose, phasers usually include a low-frequency oscillator.” This sounds like a lot of fun.

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It was totally unintentional, but in the mess of old broken gear I stumbled upon the remains of my very first guitar amp. It was a Hohner SP55 I bought 2nd hand somewhere in the 90ties. A pretty unremarkable transistor based amp which never really tickled my pickle so to say, and on a day I fried the output amp and it ended on the pile of discarded gear. It had a useful reverb though so I scavenge the springs out of this thing and see if I could make myself a nice spring reverb for use in the studio and/or modular.

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I was one of those guitarists who spend more time with his effect pedals, then with his guitar. I ended up exchanging my guitar for synths when it came to music making. Not really a surprise there, but my love of piling effects together into a huge unpredictable pile is still there, and somehow, even with a bunch of 19″ racks I haven’t been able to scratch that itch. You could use a computer these days, but nothing beats a bunch of wires and noisy electronics to spark creativity. Guitar pedals are nice and all, but do lack in certain areas when you try to use them with synths.

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